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Shibuya-kei (渋谷系?) est un sous-genre musical de la J-pop originaire de Shibuya, l'un des 23 arrondissements spéciaux formant Tokyo, au Japon. Ce style peut être décrit comme un mélange de jazz, pop, et d'electropop.
Shibuya-kei (Japanese: 渋谷系, lit. "Shibuya style") is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to-late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past.
31 mars 2020 · A complete guide to the work of five Japanese artists who capture the style and best represent the influence of Tokyo's 1990s Shibuya-kei music scene.
24 déc. 2020 · SKIP 🥱LONG INTRO😴? CLICK HERE: 0:52 This video gives an overview on the historical context and significance of the musical genre and artistic movement, Shibuya-Kei.
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19 mars 2022 · Shibuya-kei relied on Hip-Hop beyond its composition and use of beats. Sampling and mixing, explored and deeply used in Hip-Hop became vital in the production of Shibuya-kei music, as they were basically some of its preferred techniques in the creation of musical collages of all kinds of genres.
Shibuya-kei -- literally, "Shibuya style" -- was the name given to the like-minded pop musicians who emerged from this consumer culture, a group of young Japanese weaned on a steady and amazingly eclectic diet of Western pop exports; the result was an unprecedented collision of sights and sounds, with trailblazing acts like Pizzicato 5 drawing o...
The genre’s broad definition, favouring a mindset over actual musical characteristics and commonalities, spawned rampant individuality. Among the likes of Fantastic Plastic Machine and Kahimi Karie, Towa Tei and Cibo Matto were hundreds of different stylistic avenues of pop music. Fantastic Plastic Machine: “Honolulu, Calcutta” (1998)
