1959
Résultats de recherche
Michio Itō né le 13 avril 1893 et mort le 6 novembre 1961, est un danseur et chorégraphe japonais; il travaille en association avec William Butler Yeats, Ezra Pound, Angna Enters (en), Isamu Noguchi, Louis Horst, Ted Shawn, Martha Graham, Lillian Powell (en), Vladimir Rosing (en), Pauline Koner, Lester Horton et d'autres artistes américains.
Michio Itō (伊藤 道郎, Itō Michio, 13 April 1892 - 6 November 1961) was a Japanese dancer who developed his own choreography style in Europe and America. He was the son of Kimiye Iijima and architect Tamekichi Ito who was educated at the University of Washington; he was one of nine children, and the brother of director Koreya Senda .
Michio Itō né le 13 avril 1893 et mort le 6 novembre 1961, est un danseur et chorégraphe japonais; il travaille en association avec William Butler Yeats, Ezra Pound, Angna Enters (en), Isamu Noguchi, Louis Horst, Ted Shawn, Martha Graham, Lillian Powell (en), Vladimir Rosing (en), Pauline Koner, Lester Horton et d'autres artistes américains.
Michio Itō (伊藤 道郎, Itō Michio, 13 April 1892 - 6 November 1961) was a Japanese dancer who developed his own choreography style in Europe and America. He was the son of Kimiye Iijima and architect Tamekichi Ito who was educated at the University of Washington; he was one of nine children, and the brother of director Koreya Senda .
Japanese-born choreographer Michio Ito developed a distinctive, modernist vocabulary in the early part of the 20th century. From intimate, poetic solos in New York City to vast spectacles at the Hollywood Bowl, his choreography was grounded in a strong connection between music and movement.
Michio Ito (born April 13, 1892?, Tokyo, Japan—died November 6, 1961, Tokyo) was a Japanese choreographer, dancer, and scenic director for theatre and film who established himself as a pioneer of modern dance in Europe, New York City, and Los Angeles during the 1920s and ’30s.
Michio Ito (1893-1961) worked tirelessly to build bridges between the U.S. and Japan. He taught a dance technique that balanced Eastern and Western aesthetics into an amalgamation that was truly his own style of dancing. Like the haiku form, many of his pieces are brief choreographic essence studies, what he himself termed "dance poems."
