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Cabaret voltaire est enfin le nom de la première publication zurichoise du futur groupe Dada, publiée par Hugo Ball le 24 mai 1916.
23 juin 2024 · Découvrez l'histoire tumultueuse du Cabaret Voltaire, l'impact de Dada, à travers le parcours d'Emmy Hennings et Hugo Ball. Fondé le 5 février 1916 à Zurich, en Suisse, le Cabaret Voltaire est le berceau du mouvement Dada, un courant artistique et littéraire qui prônait l’absurde et la révolte contre toutes les conventions ...
20 juil. 2016 · According to its co-founder, the German poet Hugo Ball (the pianist in Janco’s painting), Janco was present for the opening night of the Cabaret Voltaire, on 5 February 1916. “The place was...
As co-founder of the Cabaret Voltaire and a magazine with the same name, Cabaret Voltaire, in Zürich, he led the Dada movement in Zürich and is one of the people credited with naming the movement "Dada," by allegedly choosing the word at random from a dictionary. His companion and future wife, Emmy Hennings, was also a member of Dada.
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Switzerland was a neutral country during World War I and among the many refugees coming to Zürich were artists from all over Europe. Ball and Hennings approached Ephraim Jan, patron of the Holländische Meierei at Spiegelgasse 1, which had already hosted Zürich's first literary cabaret, the Pantagruel in 1915.Jan permitted them to use the back room ...
After the turn of the millennium, the building which had housed Cabaret Voltaire in 1916 fell into disrepair, and in the winter of 2001/2002 a group of artists describing themselves as neo-Dadaists, organised by Mark Divo, squatted the building to protest its planned closure. They declared that it was a signal for a new generation of artists to ali...
The electronic band Cabaret Voltairewas named as so in reference to the club, drawing inspiration from Dadaism and incorporating it in their earliest albums.
Hugo Ball co-founded the Dada movement in Zurich, wrote the Dadaist Manifesto, and performed at the Cabaret Voltaire.
2 nov. 2016 · By putting Hugo Ball's anthology Cabaret Voltaire (1916) into dialogue with the live performances at the Cabaret Voltaire, this essay offers a refreshed view of this seminal Dada document. It approaches Cabaret Voltaire as a “living magazine,” a phrase Ball used to describe the space at Spiegelgasse No. 1 in Zurich.