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Michio Itō né le 13 avril 1893 et mort le 6 novembre 1961, est un danseur et chorégraphe japonais; il travaille en association avec William Butler Yeats, Ezra Pound, Angna Enters (en), Isamu Noguchi, Louis Horst, Ted Shawn, Martha Graham, Lillian Powell (en), Vladimir Rosing (en), Pauline Koner, Lester Horton et d'autres artistes ...
Michio Itō (伊藤 道郎, Itō Michio, 13 April 1892 - 6 November 1961) was a Japanese dancer who developed his own choreography style in Europe and America. He was the son of Kimiye Iijima and architect Tamekichi Ito who was educated at the University of Washington; he was one of nine children, and the brother of director Koreya ...
Michio Ito was a Japanese choreographer, dancer, and scenic director for theatre and film who established himself as a pioneer of modern dance in Europe, New York City, and Los Angeles during the 1920s and ’30s. His distinct brand of choreography relied heavily on arm and upper-torso movement.
31 mai 2024 · The Music Division is happy to announce the establishment of a special collection documenting the legacy of renowned choreographer and dancer Michio Itō (1893?-1961). In the 25-plus years he lived and performed in the United States, Itō had a profound influence on the development of modern dance, although his name and legacy are ...
Michio Ito. Born 13 April 1892, Tokyo, Japan. Died 6 November 1961, Tokyo, Japan. Michio Ito was born to Kimiye Iijima and Tamekicki Ito, an architect educated at the University of Washington. As a child he studied piano, and later voice and Japanese classical drama and dance.
Michio Ito (1893-1961) worked tirelessly to build bridges between the U.S. and Japan. He taught a dance technique that balanced Eastern and Western aesthetics into an amalgamation that was truly his own style of dancing. Like the haiku form, many of his pieces are brief choreographic essence studies, what he himself termed "dance poems."
Japanese-born choreographer Michio Ito developed a distinctive, modernist vocabulary in the early part of the 20th century. From intimate, poetic solos in New York City to vast spectacles at the Hollywood Bowl, his choreography was grounded in a strong connection between music and movement.
