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The Catherine Wheel is an album by Scottish-American musician David Byrne, released in 1981 by Sire Records. It contains Byrne's musical score for choreographer Twyla Tharp's dance project of the same name. The Catherine Wheel premiered September 22, 1981, at the Winter Garden Theatre in New York City.
- Art Rock , Worldbeat , Funk
They signed to major-label Fontana Records after being courted by both Creation Records and the Brian Eno-run label Opal Records. The band's debut album, 1991/92's Ferment, made an immediate impression on the music press and introduced Catherine Wheel's second-biggest U.S. hit, "Black Metallic", as well as the moderate hit "I Want to ...
20 sept. 1981 · Other players who contributed to the music, which will be heard on tape when ''The Catherine Wheel'' is performed, included the Talking Heads's Jer ry Harrison and severalof the band's recent collaborators, two of wh om are Brian Eno and thekeyboard player Bernie Worrell.
The Catherine Wheel takes its title from a torture device used in the martyrdom of Saint Catherine of Alexandria. This device has lent its name to a number of familiar things over time - a spinning firework, a crochet pattern, a flower. Tharp’s second Broadway production operates within a world of plurality wherein an archetypal family faces ...
Continuing from the blend of post-punk and avant-funk that defined both Talking Heads' seminal 1980 album Remain in Light and the Byrne-Brian Eno collaboration My Life in the Bush of Ghosts...
The Catherine Wheel III is a tour-friendly redaction of the original Broadway production. The set is more compact and the cast slightly smaller. Tharp condensed the original seventeen sections to fourteen and reduced the plot to its essential elements. Character names were eliminated, transforming story into allegory.
13 déc. 2022 · During Talking Heads’ hiatus, David Byrne turned the idea of “music you can dance to” on its head by providing the score to Twyla Tharp’s ballet, The Catherine Wheel. The music is herky-jerky, minimalist, mesmerizing, and more or less what you’d expect from the auteur of Remain in Light and My Life in the Bush of Ghosts ...
