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Retrouvez les œuvres d’art en vente et toutes les informations sur Mary Bauermeister (allemand, 1934-2023). Pour en savoir plus sur Mary Bauermeister, parcourez ses œuvres dans les galeries, ses lots mis aux enchères, son actualité et bien plus encore.
Mary Bauermeister was born on September 7th 1934 in Frankfurt am Main. She attended the secondary school from 1946-54, where she was influenced by her drawing teacher, Günter Ott. She then studied for one year at the Hochschule für Gestaltung in Ulm, Germany under the direction of Max Bill, changed for another year at the State School of Arts and crafts under the direction of Prof. Otto ...
Installation views. We have identified these works in the following photos from our exhibition history. Mary Bauermeister. Needless Needles. (1964). Ink, colored ink, and pencil on paper. 19 5/8 x 23 5/8" (49.8 x 60.0 cm). Gift of John S. Newberry. 269.1964. Drawings and Prints.
6 mars 2023 · Mary Bauermeister artist tudied at the Ulm School of Design. In 1962 he moved to New York where he met avant-garde artists such as Niki de Saint Phalle, Jasper Johns and Robert Rauschenberg. In 1970 she returned to Germany. Since then, she has focused on topics such as spirituality, esotericism, new age or geomancy (a divination method that interprets marks or lines on the earth).
Mary Bauermeister, Attention Getting Device. Est: $18,000 - $24,000. View sold prices. Mary Bauermeister Attention Getting Device 1971-72 ink, casein tempera, painted wooden objects and wood construction open: 9 h x 20 w x 10.75 d in (23 x 51 x 27 cm) closed: 9.625 h x 20 w x 2 d in (24 x 51 x 5 cm) Signed, titled, dated and numbered to inside ...
The Cologne artist Mary Bauermeister made her mark on the New York art market in the middle of the 1960s. Her “lens boxes” – wooden boxes, open at the front, containing several visual layers made of glass, with lenses and prisms arranged on top – fascinated curators and collectors. Every major New York museum purchased her work.
A multidisciplinary artist known for her intricate, enigmatic assemblages, Mary Bauermeister (1934–2023) often defies categorization. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of movement-defining Happenings—her work plays an integral role in the evolution of both the European and American avant-gardes of the 1960s.
