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  1. Heitor Lyra, História de Dom Pedro I (1825–1891), 3 vols. (São Paulo, 1938–1940). Mary Wilhelmine Williams, Dom Pedro the Magnanimous (1937). Pedro Calmon, História de Dom Pedro II, 5 vols. (Rio de Janeiro, 1975). Additional Bibliography. Barman, Roderick J. Citizen Emperor: Pedro II and the Making of Brazil, 1825–91.

  2. L’empereur Dom Pedro II était un homme d’une extraordinaire culture, parlant plusieurs langues dont l’hébreu, le grec, le sanscrit et même le provençal, tout en étant un traducteur ...

  3. The focal point of this Debret painting, hard to see from afar, is standing on a chair. In 1831, under pressure from the Brazilian military and the Portuguese monarchy, Dom Pedro I returned to Portugal to assume the throne (his father had died five years earlier), leaving his son Pedro II as the claimant to the Brazilian imperial seat of power.

  4. The legacy of Pedro II of Brazil became apparent soon after his death. Emperor Pedro II was the second and last monarch of the Empire of Brazil, whose long 58-year reign (1831–1889) represented a time of remarkable prosperity and progress for his country. Despite his achievements, he was deposed in a coup by disgruntled republicans, though ...

  5. Signature. Dom Pedro I (12 October 1798 – 24 September 1834) was the founder and first ruler of the Empire of Brazil, where he was known as " the Liberator ". As King Dom Pedro IV, he reigned briefly over Portugal, where he also became known as "the Liberator" as well as " the Soldier King ". [A] Born in Lisbon, Pedro I was the fourth child ...

  6. Dom Pedro II e a cultura (1977) , Arquivo nacional. Brésil, Rio de Janeiro : Arquivo nacional , 1977 Dom Pedro II e os sábios franceses (1944) , Georges Raeders (1896-1980), Rio de Janeiro : Atlântica editora, 1944 Images (13) Décès de l'empereur du Brésil (1891) , Atelier Nadar Décès de l'empereur du Brésil (1891) , Atelier Nadar ...

  7. 15 juil. 2019 · O terceiro quadro mostra Dom Pedro II em pose afeminada, com a mão esquerda na cintura, cocar na cabeça, colares, pulseiras e adereços na perna, segurando uma lança com a mão direita. Dom Pedro mantém o olhar altivo, enquanto o arlequim, igualmente vestido de índio, o olha de cima para baixo em deboche (ver Figura 2). Continua o narrador: “Parece-nos que se o nosso imperial senhor ...