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11 avr. 2006 · 762 Posts. #24 · Apr 16, 2006. Jbroad572, let's fight about it, it's pretty quiet 'round here ! Nah, seriously, truth be known, I tend to sway towards the R'n'B to smooth side of the saxophone and leave the Jazz to the Jazzers. There's enough musical genres for us all to enjoy, but on the subject of Casino Lights, I thought Kirk Whalum's ...
2 août 2011 · 515 posts · Joined 2008. #11 · Aug 3, 2011. The secret to good distortion lies in using as little as possible ESPECIALLY for saxophone. Overdrive pedals, which have lower gain than fuzz, will actually give the sound more grit and bight. When adding more and more distortion, the sound begins to smooth out pretty quickly.
27 déc. 2011 · alexd. Simon Spillett, a very fine English pro very much in the mould of Tubby Hayes, plays a VII tenor. Selmer Reference 36 Tenor, Retro Revival Florida, Florida Link Lig, Alexander DC 2.5 reeds. Mr Spillett now plays and owns Tubby Hayes original MKVI Tenor but played a 7 for many years.
