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Memphis Soul Stew. " Memphis Soul Stew " is a song by American saxophonist and bandleader King Curtis (1934–1971). The track is a narrative that describes the Memphis Soul sound in terms of a cooking recipe, with each instrument introduced by Curtis. This includes "fatback drums", "a pinch of organ" and "a half-pint of horns".
Ann Lee Peebles (born April 27, 1947) [1] is an American retired singer and songwriter who gained popularity for her Memphis soul albums of the 1970s while signed to Hi Records. Her most successful singles include " I Can't Stand the Rain ", which she wrote with her husband Don Bryant and radio broadcaster Bernie Miller, [ 2 ] [ 3 ...
30 déc. 2017 · Plongée dans le son de Memphis, autour de 60 ans d'Histoire de la Stax Records, un label mythique qui a révolutionné la soul music en signant notamment Otis Redding ou Isaac Hayes. Rencontre avec le spécialiste Gilles Pétard et la chanteuse Martha High, choriste de James Brown durant 35 ans.
La Memphis Soul (« soul de Memphis »), également connu sous le nom de Memphis sound [1], est un sous-genre de la musique soul, qui constitue la branche la plus importante de la Southern soul. C'est un style chatoyant et sensuel produit dans le courant des années 1960 et 1970 à Memphis , Tennessee , principalement chez Stax et Hi Records .
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. [1] As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
Memphis soul is a little more stylish, a little more uptown -- but unlike other uptown soul genres, like Chicago soul, it rarely makes concessions to pop. And, while it is certainly smooth, it's not as light as sweet soul. It's stylish and funky, classy but soulful.
Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee , featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.
