2014
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Dirty south. Données clés. Origines stylistiques. Hip-hop, electro, Miami bass, rap hardcore, g-funk. Origines culturelles. Années 1980, années 1990 ; États-Unis ( Atlanta, Memphis, Houston, Louisiane) Instruments typiques. Synthétiseur, boîte à rythmes, turntablism, rap, séquenceur, échantillonneur. Sous-genres.
House, progressive house, electro house. Années actives. Depuis 2004. Labels. Phazing Records. Site officiel. Dirty South. modifier. Dirty South (né Dragan Roganović) est un DJ, remixeur, et producteur musical australien, d'origine serbe.
Labels. Anjunabeats, Phazing, Axtone, Vicious Vinyl. Website. www .dirtysouth .com. Dragan Roganović ( Serbian Cyrillic: Драган Рогановић, pronounced [drǎgan rogǎːnoʋit͡ɕ]; born 15 November 1978), better known by his stage name Dirty South is a Serbian- Australian DJ, record producer and remixer based in Melbourne .
New Orleans. Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Atlanta, New Orleans, Houston, Memphis, and Miami —five cities which constitute the "Southern Network" in rap music.
Dirty South. 956 releases. Originated in the Southern US during the mid-1990s, defined by a bouncy rhythm, fast-tempo snares, 808s, heavy bass, and often rapped in a rhythmic delivery consisting of explicit lyrics. Read more. ADVERTISEMENT. Top-ranked albums. See full chart. #1. Ridin' Dirty. UGK. #2. Return of 4eva. Big K.R.I.T.
The style drew its name from Goodie Mob's 1995 song of the same name and they, along with Outkast, were the best the genre had to offer, since both their lyrics and music were sharper than such contemporaries as the No Limit posse. Dirty South Artist Highlights. More Dirty South Artists. Lil Wayne. Lil Jon. Master P. Juvenile. Big Tymers. Ludacris.
15 août 2023 · For the past two decades, the Dirty South has been responsible for hip-hop’s expansion and evolution. The region has conducted a variety of sonic experiments and melodic sounds to produce an expansive lexicon that represents the conflict, tension, and joy about being Black in the South.
