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  1. www.discogs.com › artist › 57413-Will-SinWill Sin - Discogs

    Will Sinnott (December 23, 1960 – May 23, 1991, La Gomera, Spain) was a Scottish musician and producer. Sinnott joined The Shamen in October 1987 as the bassist; he was influential in The Shamen's switch from psychedelic indie rock to the electronic sound they found fame with.

  2. en.wikipedia.org › wiki › The_ShamenThe Shamen - Wikipedia

    The Shamen were suddenly one crucial player short. Help was at hand from the Glaswegian Will Sinnott (23 December 1960 – 23 May 1991), aka Will Sin, who joined the group in October 1987, on bass and keyboards, [4] freeing up Angus to handle vocals and guitar. Sinnott's musical background was an extensive one.

  3. 17 mai 2019 · Interview with the late Will Sinnott of The Shamen around the time of the release of the 'In Gorbachev We Trust' studio album, featuring the track 'Jesus Loves Amerika' which accompanies the ...

    • 6 min
    • 2,4K
    • Indie City
  4. everything.explained.today › The_ShamenThe Shamen Explained

    Help was at hand from the Glaswegian Will Sinnott (23 December 1960 – 23 May 1991), aka Will Sin, who joined the group in October 1987, on bass and keyboards, [4] freeing up Angus to handle vocals and guitar. Sinnott's musical background was an extensive one.

  5. en.wikipedia.org › wiki › Boss_DrumBoss Drum - Wikipedia

    Boss Drum is the Shamen's 1992 album, released a year after the death of bassist Will Sinnott. It features their UK number one single "Ebeneezer Goode".

  6. www.wikiwand.com › en › articlesThe Shamen - Wikiwand

    Help was at hand from the Glaswegian Will Sinnott (23 December 1960 – 23 May 1991), aka Will Sin, who joined the group in October 1987, on bass and keyboards, freeing up Angus to handle vocals and guitar. Sinnott's musical background was an extensive one.

  7. 8 juin 2018 · However, the sudden death of Will Sinnott meant that the band would ride the cusp of the explosion of acid house and dance music ignited by the 'Second Summer of Love' in a way that would risk their underground credibility. The release of Boss Drum in 1992 spawned a year-long period of heady mass appeal.