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Baruch Lumet (Burech Lumet [1]; né le 16 septembre 1898 – et mort le 8 février 1992) est un acteur américain d'origine polonaise. Issu de la communauté juive américaine, il est surtout connu pour son travail dans le théâtre Yiddish. Il est le père du réalisateur Sidney Lumet.
Baruch Lumet (Burech Lumet; 16 September 1898 – 8 February 1992) was an American actor best known for his work in the Yiddish theatre.
Découvrez tous les films et séries de la filmographie de Baruch Lumet. De ses débuts jusqu'à la fin de ses 15 ans de carrière.
Baruch Lumet est un Acteur. Découvrez sa biographie, le détail de ses 15 ans de carrière et toute son actualité.
- Biography
- Directing Style and Subjects
- Personal Life and Death
- Recognition and Legacy
- Awards and Honors
- Bibliography
- External Links
Early years
Lumet was born in Philadelphia and grew up in the Lower East Side neighborhood of Manhattan. He studied theater acting at the Professional Children's School of New York and Columbia University. Lumet's parents, Baruch and Eugenia (née Wermus) Lumet, were Jewish and veterans of the Yiddish theatre; they had immigrated to the United States from Poland. His father, an actor, director, producer and writer, was born in Warsaw. Lumet's mother, who was a dancer, died when he was a child. He had an o...
Early career
Lumet began his career as a director with Off-Broadway productions and then evolved into a highly respected TV director. After working off-Broadway and in summer stock, he began directing television in 1950, after working as an assistant to friend and then-director Yul Brynner. He soon developed a "lightning quick" method for shooting due to the high turnover required by television. As a result, while working for CBS he directed hundreds of episodes of Danger (1950–55), Mama (1949–57), and Yo...
Realism and energetic style
Film critic Owen Gleibermanhas observed that Lumet was a "hardboiled straight-shooter", who, because he was trained during the golden Age of television in the 1950s, became noted for his energetic style of directing. The words "Sidney Lumet" and "energy", he adds, became synonymous: "The energy was there in the quietest moments. It was an inner energy, a hum of existence that Lumet observed in people and brought out in them...[when he] went into the New York streets...he made them electric:
Collaboration
Lumet generally insisted on the collaborative nature of the film, sometimes ridiculing the dominance of the "personal" director, wrote film historian Frank R. Cunningham. As a result, Lumet became renowned among both actors and cinematographers for his openness to sharing creative ideas with the writer, actors, and other artists. Lumet "has no equal in the distinguished direction of superior actors", adds Cunningham, with many coming from the theater. He was able to draw powerful performances...
Rehearsal and preparation
Lumet was a strong believer in rehearsal and felt that if an actor rehearsed correctly, the actor would not lose spontaneity. According to critic Ian Bernard, Lumet felt that it gives actors the "entire arc of the role", which gives them the freedom to find that "magical accident". Director Peter Bogdanovich asked him whether he rehearsed extensively before shooting, and Lumet said he liked to rehearse a minimum of two weeks before filming. During those weeks, recalls Faye Dunaway, who starre...
Lumet was married four times; the first three marriages ended in divorce. He was married to actress Rita Gam from 1949 to 1955; to artist and heiress Gloria Vanderbilt from 1956 to 1963; to Gail Jones (daughter of Lena Horne) from 1963 to 1978; and to Mary Bailey Gimbel (ex-wife of Peter Gimbel) from 1980 until his death. He had two daughters by Jo...
According to film historian Bowles, Lumet succeeded in becoming a leading drama filmmaker partly because "his most important criterion [when directing] is not whether the actions of his protagonists are right or wrong, but whether their actions are genuine". And where those actions are "justified by the individual's conscience, this gives his heroe...
Lumet has been recognized by the Academy of Motion Picture Arts and Sciencesfor the following films: 1. 30th Academy Awards (1957): Best Director, nomination, 12 Angry Men 2. 48th Academy Awards (1975): Best Director, nomination, Dog Day Afternoon 3. 49th Academy Awards (1976): Best Director, nomination, Network 4. 54th Academy Awards (1981): Best ...
Boyar, Jay (1993). Sidney Lumet. New York: Twayne Publishers. ISBN 978-0-805-79329-1.Cunningham, Frank R. (2001) [1991]. Sidney Lumet: Film and Literary Vision. University Press of Kentucky. ISBN 0-8131-1745-3.Spiegel, Maura (2019). Sidney Lumet: A Life. St. Martin's Press. ISBN 978-1-250-03015-3.Sidney Lumet at IMDbSidney Lumet at the Internet Broadway DatabaseSidney Lumet at the Internet Off-Broadway DatabaseBaruch Lumet was born on September 16, 1898 in Warsaw, Poland, Russian Empire [now Warsaw, Mazowieckie, Poland]. He was an actor and casting director, known for The Killer Shrews (1959) , Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972) and The Pawnbroker (1964) .
Tous les films où Baruch Lumet a joué sur cines.com. Les performances cinématographiques les plus impressionnantes de Baruch Lumet
