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  1. www.lesabattoirs.org › Expositions › yayoi-kusamaLes Abattoirs | Yayoi Kusama

    Il y a 5 jours · Jubilatoire, excentrique, obsessionnelle, lœuvre de Yayoi Kusama fascine la scène artistique depuis le début des années 60, aux Etats-Unis, au Japon, en Asie, et aujourd’hui en Europe avec cette exposition conçue à partir d’œuvres environnementales pour la plupart inédites.

  2. Il y a 4 jours · Renowned Japanese artist Yayoi Kusama unveils one of her largest gallery exhibitions to date this evening in New York City at David Zwirner Galleries. The exhibition, titled I Spend Each Day...

  3. Il y a 1 jour · The humongous gourd is a sculpture created by Japanese artist Yayoi Kusama and sent to London “with love,” as she says in a statement. Titled simply Pumpkin, the bronze sculpture stands at 19. ...

  4. Il y a 5 jours · Comprised of over 480 images and a wealth of informative essays discussing Kusamas accomplishments in the worlds of fashion, film, art, marketing and publishing, this monumental retrospective offers an unprecedented look at one of Japan’s most important living artists.

  5. Il y a 22 heures · Una storia legata all’arte pubblica, quella di Serpentine Galleries, istituzione dedicata all’arte contemporanea e fondata nel 1970.Se negli ultimi anni i protagonisti delle iniziative sono stati artisti del calibro di Anish Kapoor e il duo Christo e Jeanne-Claude, ora è la volta di Yayoi Kusama, che torna alla Serpentine con un’enorme zucca a pois esposta al Kensington Garden di Londra.

  6. Il y a 4 jours · This large-scale sculpture by Japanese artist Yayoi Kusama is part of the Serpentine Gallery's public art presentations. Located against the backdrop of the Round Pond, the bronze pumpkin is...

  7. Il y a 2 jours · Yayoi Kusamas Self-Obliteration/Psychedelic World Exhibition. UNTIL Sep 18, 2023・11:00-17:30・Closed Mon, Tue & Wed (Except national holidays) This exhibition focuses on the psychedelic aspects of Yayoi Kusamas work and presents rich variations of her creations from different periods.

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