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Il y a 4 jours · The film’s dark, brooding atmosphere was complemented by Danny Elfman’s memorable score, which has since become synonymous with the Batman franchise. Michael Uslan’s Influence Michael Uslan , a pivotal figure in bringing a darker Batman to the screen, championed Burton’s vision despite initial resistance.
Il y a 4 jours · In the smaller scope, its impact is pretty clear: without this movie, we wouldn’t have Batman: The Animated Series (which went so far as to borrow the film’s Danny Elfman-made theme for its ...
Il y a 4 jours · Sorti à l’origine le 23 juin 1989, le film réalisé par Tim Burton est en fait le point de départ de la persévérance du Chevalier Noir dans la culture pop. depuis des décennies. C’était le premier film de Batman depuis le film d’Adam West en 1966, ce qui en faisait un événement en soi, et un objet rare de la réalisation de films ...
Il y a 4 jours · “Batman” begins with Danny Elfman’s overture, a beautiful, soaring but somber score that establishes the angst at the center of the title character’s psyche. We witness how violent crimes are on the rise in Gotham City, So are frequent appearances of “The Bat,” who is putting fear into the rat-like criminals at the bottom of the food chain.
Il y a 2 jours · Danny Elfman’s score. I mean, what more can you say about Danny Elfman’s iconic score? Gothic, bombastic, and ultimately thrilling, Batman is the greatest superhero score ever produced, and ...
Il y a 2 jours · Danny Elfman – le maestro nominé aux Oscars qui a fourni les musiques de films tels que Beetlejuice, Batman, Edward Scissorhands et The Nightmare Before Christmas – compose la musique du Dark Universe sur le thème d’Universal Classic Monsters au parc à thème Universal Epic Universe. Elfman a annoncé la nouvelle après qu’Universal ...
Il y a 3 jours · music by Danny Elfman screenplay by Michael McDowell produced by Richard Donner, David Giler, Walter Hill, Joel Silver, Robert Zemeckis directed by Tom Holland "Lover Come Hack to Me": Based on the 1953 comic The Haunt of Fear #19. This is, unfortunately, the least interesting episode to this point.
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