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Il y a 1 jour · Without proper rendering support, you may see question marks, boxes, or other symbols. In ancient Greek religion and myth, Dionysus ( / daɪ.əˈnaɪsəs /; Ancient Greek: Διόνυσος Dionysos) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre.
Il y a 1 jour · Le pin parasol. Symbole de la Côte d’Azur, popularisé par les affiches touristiques de la Belle Époque, le pin parasol invite à la sieste sous sa grande ramure. C’est aussi le pin des gourmands, car ses cônes renferment les doux pignons, utilisés en cuisine dans tout le Bassin méditerranéen. Le pin parasol, Pinus pinea, pousse sur ...
Il y a 4 jours · In Euripides’ Bacchae, King Pentheus famously opposes the cult of Dionysos, challenging the god to demonstrate his power by playing with the mind of his mortal enemy to the point of total dissolution of the king at the hands of his own mother, Agave, who took to the mountains with other maenads (followers of Dionysos) to perform his rites in the wilderness.
Il y a 1 jour · On the other hand, they later rejected the practice of animal sacrifice, which was common to pagans and Jews, and still regular in the temple-cult as accepted by Jesus and Paul. 50 It is highly significant that they rapidly developed a name for their group, the Christians, or followers of Christ, which became widely recognized across the Empire. 51 The name was already in use by 112 ce, when ...
Il y a 3 jours · Dionysos est à l'affiche de la 3e journée de La Nuit de l'Erdre, ce samedi 6 juillet. Mathias Malzieu, qui s'est fracturé la jambe sur scène quatre mois plus tôt, sera, bel et bien, face au...
- 4 min
- Philippe RIDOU
Il y a 5 jours · Réservez dès maintenant vos billets pour Dionysos sur Fnac Spectacles. Consultez les dates, avis et achetez vos places en toute sécurité !
Il y a 4 jours · Dionysos is hidden away in the East until on coming of age he returns to Greece in triumph in his leopard chariot and introduces his cult of wine and irrationality. Clementz, like so many artists of the late nineteenth century is in total mastery of his study of earlier baroque and neo-classical masters and the technique of the painted surface of both flesh and drapery is as beautiful as it ...
