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  1. Il y a 1 jour · La fétichisation de cette esthétique, selon Thomas, récurrente chez les groupes industriels, remonte au groupe de musique expérimentale et bruitiste des années 1970, Throbbing Gristle, qui l’exploitait dans le but de mettre en scène et confronter, entre autres, l’extrémisme idéologique et le fascisme génocidaire.

  2. Il y a 4 jours · Born and raised near Hull—the same port city that birthed Genesis P-Orridge and Cosey Fanni Tutti’s performance art group COUM Transmissions, which would later morph into Throbbing Gristle—Culver developed his own practice, and it was initially furnished by the history and mythos of Hull's own avant-garde past. But in the last few years, Culver has expanded. He has collaborated with ...

  3. Il y a 5 jours · Throbbing Gristle waren Chris Carter, Peter „Sleazy“ Christopherson (1955-2010), Cosey Fanni Tutti und Genesis Breyer P-Orridge (1950-2020). Ihre kompromisslose Kunst ist die Wurzel eines Musik-ähnlichen Genres, das auch fast 50 Jahre später noch Anhänger hat.

  4. Il y a 1 jour · Like a live Throbbing Gristle or Merzbow album, Terminal Analog makes the contingency of the live event part of its subject. It’s music that requires, or maybe just requests, you imagine what it was like to share the space in which it was created and consumed. Music that is a product of its environment. Music in which the space in which it ...

  5. Il y a 3 jours · However, diehard and casual ravers alike know that the dance floor isn’t where egos are displayed, but where they melt away. In Desire: The Carl Craig Story, director Jean-Cosme Delaloye, who was born in Switzerland and based in Brooklyn, takes the legendary producer and DJ out of the booth, splicing interviews with him, his family, and other ...

  6. Il y a 3 jours · Beginning with what sounds like a tape deck cannibalizing its own guts, for 13 minutes you’re subjected to a barrage of atonal noise, completely devoid of harmony, melody, even rhythm. It makes even the most hardcore and uncompromising denizens of the Britain’s Industrial underground, like Throbbing Gristle, sound downright friendly.

  7. Il y a 4 jours · Atrax Morgue, the artistic moniker of the Italian musician Marco Corbelli, stands as an enigmatic figure within the realm of industrial and noise music. Revered for his gloomy sonic explorations, Corbelli forged a distinctive path through the auditory landscape, leaving an indelible mark on the Italian (and worldwide) underground ...

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