2020
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Il y a 3 jours · On a filmé les rues de New York et de Brooklyn en lumière naturelle et je me suis tout particulièrement inspiré de la photo d’Owen Roizman dans Les Pirates du métro et The French Connection.
- 2 min
- Lola Epoque
Il y a 2 jours · On Pelham, I think Owen [Roizman, director of photography] had a vision. The focus is more selective because you’re using what they call longer lenses, focal length lenses, where there’s less ...
Il y a 1 jour · Cinematographers Owen Roizman and Billy Williams shot The Exorcist on 35mm film using Arriflex 35 II-C and Panavision PSR R-200 cameras with Panavision Standard Prime lenses, framed at 1.85:1 for its theatrical release. (Roizman still shot the majority of the film, but Williams handled the location shoot in Iraq.) This version is based on a 4K ...
Il y a 21 heures · David Lean holds the record for the director with the most films that won the Academy Award for Best Cinematography at the Oscars with five wins out of six nominations for Great Expectations, The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and Ryan's Daughter. The first nominees shot primarily on digital video were The Curious ...
Il y a 5 jours · Si l’on pense à Martin Scorsese en voyant Anora, le réalisateur cite plus volontiers Abel Ferrara ou William Friedkin, en particulier French Connection (1971) et le travail qu’y a effectué ...
Il y a 21 heures · Per the remastering and restoration notes from the included booklet in this set, the original 35mm camera negative was wetgate scanned in 4K back in 2014 with color correction completed under the supervision of Director of Photography Owen Roizman. A new HDR master was recently created with colorist David Bernstein, using the previous master as ...
Il y a 1 jour · While Ellen Burston, William Friedkin, Jason Miller and Owen Roizman would all be nominated but miss out on Oscars, the Academy’s big snub (in retrospect) may have been not awarding Th Exorcist Best Picture; that honor went to The Sting (a great film, sure– but hardy as genre defining and affective as The Exorcist).
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