1990
Résultats de recherche
Il y a 1 jour · Biographie. Elève de Brian Eno, Daniel Lanois a produit ou co-produit certains des meilleurs albums du milieu des années 90. De The Unforgettable Fire pour U2, en passant par Yellow Moon de The Neville Brothers et Oh Mercy de Bob Dylan, sans oublier No Line on the Horizon toujours pour U2 en 2009.
Il y a 1 jour · Avec John Densmore, l’ancien batteur des Doors, Daniel Lanois à la pedal steel et fiston Micah à la guitare électrique et au piano, le refus d’en finir est net : la musique se conjugue ...
Il y a 4 jours · He brought with him his engineer Daniel Lanois, whose skills as a musician helped communicate to the band about what the pair needed. The process of making The Unforgettable Fire was a protracted ...
Il y a 1 jour · It is reminiscent of the atmospheric work Daniel Lanois did with Bob Dylan in the nineties, and notable that Lanois is playing pedal steel in the small ensemble. Micah contributes guitars, bass, piano, cello, dulcimer and Andean lute as well as joining in with percussion, with John Densmore of the Doors behind the drum kit keeping things gently ...
Il y a 15 heures · Achtung Baby (/ ˈɑːxtʊŋ / AKH-toong) [1] is the seventh studio album by the Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 by Island Records. After criticism of their 1988 release Rattle and Hum, U2 shifted their direction to incorporate influences from alternative rock, industrial ...
Il y a 2 jours · Now I can see, see red, as red as a cardinal I can feel my blood boil, it burns as red as a cardinal Smash my forehead against the wall until it’s as red as a cardinal Want to feel my brain swell, make it bleed as red as a cardinal Watch it seep out the nooks and crannies in the mirror, splashed as red as a cardinal Make a scene, strewn everywhere, turns everything as red as a cardinal The ...
Il y a 3 jours · The sprightly-strummed “The Color of Sound,” which Willie and Micah co-wrote, asks philosophically and playfully, “If silence is golden, what color is sound?” And layers of Daniel Lanois’ pedal steel usher in Nelson’s version of his 1967 song “Ghost,” a reflection on fading love and the silence that rushes in to fill the absence.
