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  1. Il y a 2 jours · Première nouvelle, la plus déchirante sans doute : l'actrice Freema Agyeman quitte le programme à la fin de la saison 4. En effet, l'interprète du Dr Helen Sharpe depuis les débuts de la ...

  2. Il y a 5 jours · Le directeur de l'établissement se décide enfin à avouer ses sentiments au Dr. Helen Sharpe (Freema Agyeman). Mais son bonheur sera de courte durée puisqu'il va faire face à l'arrivée du...

  3. Il y a 1 jour · Yet, that wasn't really the case. Martha became an esteemed member of UNIT and even joined Torchwood for a while so that she could help the team keep Earth safe from the next alien invasion. But, it seems that as the 10th Doctor's arc concluded, so did any reference to Martha Jones. It's still unknown why Freema Agyeman decided to leave Doctor ...

  4. Il y a 21 heures · Joining Tom Holland (Spider-Man) as Romeo and Francesca Amewudah-Rivers (Bad Education, School Girls; Or, The African Mean Girls Play) as Juliet, is Freema Agyeman (Doctor Who, Sense8, God of Carnage) as Nurse, Michael Balogun (Sherwood, The Lehman Trilogy) as Friar, Tomiwa Edun (Macbeth, The Deep Blue Sea) as Capulet, Mia Jerome (Treasure Island) as Montague, Daniel Quinn-Toye as Paris, Ray ...

  5. Il y a 5 jours · In Season 3, the show’s first Black companion Martha Jones’ (Freema Agyeman) concerns about traveling to the past were mostly brushed aside, while in the Season 11 episode “Rosa,” where the...

  6. Il y a 1 jour · As it turns out, Holland’s extreme interpretation of Romeo’s lust for Rosaline is only a marker for things to come: between Romeo, Juliet (Francesca Amewudah-Rivers), the Nurse (Freema Agyeman) and the Friar (Michael Balogun), there is barely a dry eye on the stage for the play’s two and a half hour duration. Yet despite “Romeo & Juliet ...

  7. Il y a 4 jours · Freema Agyeman is terrific as the laughgetti­ng Nurse, and Michael Balogun is memorable as the Friar, in a cast that gives us a street-level view of the rivalry between the Montagues and Capulets. A weird but original evening, then, one that veers between being thrilling and infuriatin­g.

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