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  1. 11 mars 2020 · Spinee noticed happy hardcore spreading through Tumblr fan communities before emerging as an influence on crews like PC Music, the avant-pop collective whose affiliates have included Spinee and GFOTY, as well as Danny L Harle, a fan of hardcore – or ‘Harlecore’. In some circles, though, happy hardcore never went out of style.

  2. Genre: Happy hardcore ... Label: Urban: Singles de Dune. Are you ready to fly (1995) Hardcore Vibes est une chanson du groupe Dune sortie en 1995. La chanson a été écrite par Dune. Classement par pays. Classement (1994-1995) Meilleure ...

  3. Happy Hardcore is a genre of electronic dance music that originated in the UK in the early 1990s. It is characterized by its fast tempo (usually around 160-190 BPM), upbeat melodies, and uplifting lyrics. It often incorporates elements of other genres such as trance, techno, and drum and bass. It is often associated with the rave scene and is ...

  4. 20 mars 2009 · The 100 Best Happy Hardcore Hits Ever by Various Artists released in 2009. Find album reviews, track lists, credits, awards and more at AllMusic. New Releases. Discover. Genres Moods Themes. Blues Classical Country. Electronic Folk Intern ...

  5. 19 oct. 2018 · “One of the biggest producers in happy hardcore’s early years, Slipmatt started as one half of SL2, the rave group that scored a #2 UK pop hit in 1992 with the dancehall-sampling “On A Ragga Tip”. 1994’s “Hear Me” is as much jungle as it is happy hardcore: hands-in-the-air piano breakdowns lifted from an Italo-house classic are welded to a mashed-up amen break and heavy sub bass.

  6. The positive vibes of happy hardcore were criticized by most clubgoers as music for the drugged-out youth, but just as the hardcore-into-jungle scene found favor with critics later in the decade, a certain amount of respect for happy hardcore appeared as well. The work of combination DJ/producers such as Slipmatt, Hixxy & Sharkey, Force & Styles, and DJ Dougal produced innumerable compilations ...

  7. 1 sept. 2021 · Music writer Simon Reynolds argues that the breakbeat-heavy UK take on hardcore – or as Reynolds sometimes puts it, ardkore – has been a common thread running through dance music over the last 30 years. This ‘hardcore continuum’ theory posits that the ‘frenetic pitch’, tempo, bass impact and ‘ruff and tuff uproar’ of hardcore all run throughout countless genres since the early ...