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1 nov. 2005 · Jane is the Morton L. Janklow Professor of Literary and Artistic Property Law at Columbia University School of Law and Co-Director of its Kernochan Center for Law, Media and the Arts. She has taught at French as well as US universities and recently occupied the Arthur L. Goodhart Visiting Chair of Legal Science at the law faculty of the ...
Jane C. Ginsburg ( Freeport, 21 de juliol de 1955) és una advocada estatunidenca. És professora Morton L. Janklow de dret de propietat literària i artísica a Columbia Law School. També dirigeix el Centre de Dret, Mitjans i Arts Kernochan de la facultat de dret. [1] El 2011 va ser elegida membre de l' Acadèmia Britànica.
By Jane C. Ginsburg, Professor of Law, Columbia University, USA. In May 2023, the United States Supreme Court handed down its much-anticipated decision on Andy Warhol Foundation (AWF) v. Goldsmith et al (the Warhol case) . The decision upheld the claim by the celebrity photographer, Lynn Goldsmith, that the Andy Warhol Foundation (AWF) had ...
30 mars 2024 · Jane C. Ginsburg, retratada en Madrid. Samuel Sánchez. Todo esto se refiere al resultado final del proceso, pero en el otro extremo, en la parte de cómo se entrena la IA generativa, cómo “aprende” la máquina, con qué materiales, también hay un gran conflicto.
A graduate of the University of Chicago (BA 1976, MA 1977), Professor Ginsburg received a JD in 1980 from Harvard, and a Diplôme d’études approfondies in 1985 and a Doctorate of Law in 1995 from the University of Paris II. She is a Corresponding Fellow of the British Academy, a Member of the American Philosophical Society, and an Honorary Fellow of Emmanuel College, University of Cambridge.
30 mars 2024 · Jane C. Ginsburg, retratada en Madrid. Samuel Sánchez. Todo esto se refiere al resultado final del proceso, pero en el otro extremo, en la parte de cómo se entrena la IA generativa, cómo ...
13 janv. 2020 · Jane Ginsburg: This aggregation is not the only thing that is putting pressure on traditional publishing. The advertising model has substantially changed, and online platforms tend to get the benefit of that. The problem from the point of view of copyright law is that while one can understand as a matter of, say, unfair competition, that the platforms are getting a real benefit here and that ...
