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Mould SID Code (CD 1): IFPI 94K7. Matrix / Runout (CD 2): Sony DADC A0101868801-0202 13 A00. Mastering SID Code (CD 2): IFPI L553. Mould SID Code (CD 2): IFPI 94K1. View credits, reviews, tracks and shop for the 2011 CD release of "Fascinating Rhythm 1922-1935" on Discogs.
Dick Mcdonough was a studio musician recording with Tommy Dorsey, Joe Venuti, Benny Goodman, Billie Holiday, Glen Miller and a host of other high profile artists of the day Marty Grosz One of the few Jazz guitarists who performs with an unamplified acoustic archtop guitar, Marty augments his fretboard skills with Fats Waller-style vocals and a liberal helping of humour.
12 juin 2023 · Summer HolidayFoxtrotDick McDonough And His OrchestraVocalist: Buddy Clark (?)Writers: : Johnny Marks (m), Larry Conley (l) Dick McDonough (Director, Guitar)...
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- Swing Blues Jazz 78 RPM
26 sept. 2023 · Dick McDonough, who had recorded an unaccompanied “Honeysuckle Rose” in 1934, during 1936-37 led no less than a dozen sessions (46 selections) as the head of medium-size groups with such sidemen as Bunny Berigan, Babe Russin, Jack Jenney, Claude Thornhill, and Artie Shaw occasionally in the supporting cast. Nearly all of the performances by his radio band had vocals (including by Buddy ...
Dick McDonough Richard Tobin McDonough (July 30, 1904 – May 25, 1938) was an American jazz guitarist and banjoist. Perhaps best remembered for his duets with fellow guitarist Carl Kress, McDonough appeared on numerous record sessions and radio broadcasts throughout the 1920s and 1930s.
21 janv. 2022 · Todd graciously agreed to write Part One of our feature on Eddie Lang’s guitars and the result appears below. Part Two will look at the Gibson guitars Eddie played from the mid 1920s until his untimely death in 1933. If you crave something different from the usual Martin/Gibson clones, we recommend that you visit Todd’s website ( https ...
In August 1935, the Gibson L-5 was given a radical makeover emerging with a larger 17-inch wide ‘Advanced’ body and multiple binding around the top, back, fingerboard, pickguard and headstock – the latter now restyled so that it was wider at the top (the familiar Gibson design). More radically, the first ‘Advanced’ L-5s also incorporated an X-braced (as opposed to parallel braced) top.
