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La synthpop (abréviation de synthesizer pop, litt. « pop au synthétiseur »), également connue sous les désignations électropop et technopop [2], hormis dans les pays francophones où l'on utilise simplement le terme new wave, est un genre musical qui a eu le synthétiseur pour principal instrument et qui a pris de l'importance ...
Synth-pop (short for synthesizer pop; also called techno-pop) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock , electronic , art rock , disco , and particularly ...
26 mars 2024 · Quick Answer: Synth-pop, short for synthesizer pop, is a music genre that emerged in the late 1970s and became prominent in the 1980s. It is characterized by the primary use of synthesizers, drum machines, and sequencers. Synth-pop features synthetic textures and robotic rigidity, with early examples having minimalist and eerie ...
While it’s referred to as techno-pop and many other variations to some, it’s a massive genre that’s made its mark on music and society. Synthpop comprises music that is either mostly or completely produced electronically by synthesizers, modulators, and drum machines.
La synthpop (abréviation de synthesizer pop, litt. « pop au synthétiseur »), également connue sous les désignations électropop et technopop, hormis dans les pays francophones où l'on utilise simplement le terme new wave, est un genre musical qui a eu le synthétiseur pour principal instrument et qui a pris de l'importance de la fin des années 197...
9 mai 2024 · Synth pop music, a genre that emerged in the late 1970s and gained significant popularity in the 1980s, represents a fusion of electronic synthesizers and pop music sensibilities.
7 juin 2021 · Synth-Pop Music Guide: A Brief History of Synth-Pop. Written by MasterClass. Last updated: Jun 7, 2021 • 3 min read. In the late 1970s and early 1980s, a surge of synth-pop hits influenced popular music.
