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  1. 13 sept. 2018 · Mack the Knife - Brecht's Threepenny Film: Directed by Joachim Lang. With Lars Eidinger, Tobias Moretti, Hannah Herzsprung, Joachim Król. Against many odds, Bertolt Brecht's "The Threepenny Opera" becomes a phenomenal success. The film industry picks up the scent and seeks to make the master direct a film version of his "play with ...

    • (714)
    • Biography, Drama
    • Joachim Lang
    • 2018-09-13
  2. Following the phenomenal success of “The Threepenny Opera”, the film industry wants to win over the celebrated author. But Bertolt Brecht is not prepared to play by their rules. His concept of the “Threepenny Film” is radical, uncompromising, political, and incisive.

  3. DE 13/09/2018. screenplay: Joachim Lang. cast: Peri Baumeister, Lars Eidinger, Hannah Herzsprung, Tobias Moretti, Claudia Michelsen, Robert Stadlober, Meike Droste, Godehard Giese, Truus de Boer, Joachim Król. cinematography by: David Slama. film editing: Alexander Dittner.

    • Germany, Belgium
    • Mackie Messer-Brechts Dreigroschenfilm
    • Mack the Knife-Brecht's Threepenny Film
    • Global Screen GmbH (a brand of Telepool GmbH)
  4. Mack the Knife - Brecht's Threepenny Film is a 2018 German-Belgian directed by Joachim A. Lang. The film is intended to represent an attempt to realize Bertolt Brecht's artistically and politically radical film adaptation concept for his 1931 movie " The Threepenny Opera ".

    • Mack the Knife: Brecht's Threepenny Film film1
    • Mack the Knife: Brecht's Threepenny Film film2
    • Mack the Knife: Brecht's Threepenny Film film3
    • Mack the Knife: Brecht's Threepenny Film film4
    • Mack the Knife: Brecht's Threepenny Film film5
  5. A socialist critique on capitalism, staged as a conflict between Mack the Knife, a London gangster, and Peachum, the head of the beggars' mafia.

  6. Mack the Knife: Brecht's Threepenny Film 2018 2h 10m Drama List Reviews A playwright tries to adapt his opera satire for the cinema in the early 1930s.

    • Drama
  7. German. Showtimes. Presented by the Goethe Institute Boston. Following the phenomenal worldwide success of The Threepenny Opera in 1928 in Berlin, cinema is trying to win over the author of the piece. But Bertolt Brecht is not willing to play by the film industry’s rules.