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Ce cubisme particulier, dénommé « Orphisme » par Apollinaire, donnant l’illusion du mouvement, se met au service d’une thématique d’un monde moderne en plein essor : Tour Eiffel, hélices d’avions en rotation, sport.
Rythme n°1. Inspired by the work of certain colour theoreticians (Michel-Eugène Chevreul, Ogden Rood), Delaunay pursued the idea of painting based on the law of simultaneous and successive colour contrast. That was before the First World War.
21 août 2020 · The first in Richter’s series of animated “rhythm” shorts, Rhythmus 21 plays with form and depth, as squares and rectangles pulse and change size in comparison both to one another and to the ...
- 3 min
- 37,1K
- The Museum of Modern Art
8 nov. 2020 · Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Rhythm no.1’ was created in 1938 by Robert Delaunay in Orphism style. Find more prominent pieces of abstract at Wikiart.org – best visual art database.
Mikrokosmos, Sz.107 (Bartók, Béla) This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 or life+70 years (including all EU countries). However, this work is probably still protected by copyright in the United States, unless an exception applies.
Je suis encore aujourd'hui persuadé que le rythme, c'est-à-dire l'articulation d'unités de temps, constitue la sensation par excellence que toute expression du mouvement dans l'art du cinéma peut procurer. (Hans Richter, Dada Art et Anti-Art, éd. de La Connaissance, Bruxelles, 1965.) (Rhythm 21), 3min.
Rhythmus 21. Ancien titre donné par l'artiste Film ist Rhythmus. Date de création 1921 - 1924. Collaborateurs Distributeurs : Cinédoc PFC, Light Cone, Film-Makers' Cooperative, Museum of Modern Art. Domaine Cinéma | Film: Technique Film 35 mm noir et blanc, silencieux. Durée 2 min 56 s
