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- Where Did Our Love Go
- Baby Love
- Back in My Arms Again
- Come See About Me
- Love Is Like An Itching in My Heart
- Love Is Here and Now You’Re Gone
- I’m Livin’ in Shame
- Up The Ladder to The Roof
- I Hear A Symphony
- Forever Came Today
The record that madeDiana, Mary and Florence, after a period when Motown insiders called them the “no-hit Supremes.” “Where Did Our Love Go” was massive in the Summer of 1964 and instantly established the chart-topping credentials of these talented young women. But could they follow it up…?
… You bet they could. The Supremes’ second No.1, hot on the heels of their first, still displays an effortless, gleaming twinkle.
He’s been away, now he’s back. What could be better? The Supremes’ fifth US No.1 on the bounce, and a certified mod-soul classic from 1965.
The Supremes’ third US chart-topper played leapfrog with The Beatles’ “I Feel Fine”: it was knocked from the Hot 100’s pinnacle by the Fabs at the end of 1964, then replaced them in early 1965. The song had already become a small hit for Nella Dodds, whose soulful, relaxed version lost out when The Supremes’ more stomping, emphatic cut was issued a...
Full of Northern soul characteristics – relentless beat, moody melody, lots of space in the mix, glockenspiel on the chords, and a killer sax break from Mike Terry – the only thing that stops this from actually being a Northern soul gem is the fact it was a hit, cracking the US Top 10 in 1966. Super soul music.
The Supremes released five singles in 1967, all fully in line with the sharp developments in music that watershed year. “Love Is Here And Now You’re Gone” is pure baroque pop, with Diana breaking into bitter spoken lines that sound like she really means it. This remarkable record really ought to be more adored.
As much a soap opera as a song (“Mama passed away while making home-made jam”), this tale of social climbing, embarrassment and bereaved regret could have been a country smash; instead it made No.10 in the US in 1969, credited to Diana Ross And The Supremes, though the backing vocals are delivered by Motown stalwarts The Andantes.
When Diana quit the group in 1970, Motown made sure they’d remain a success thanks in part to this gloriously romantic, true-to-The-Supremes single, featuring a beautiful lead vocal from Jean Terrell. It’ll take you higher than the roof…
Diana is so overcome by her love for a guy, she hears violins. The world felt every bit as highly strung, and made it a smash in 1965. It’s the perfect metaphor for Motown, too, turning teenage love tales into musical masterclasses.
Diana heard a symphony? The Supremes made one on this amazing record, a massive 1967 production from Holland-Dozier-Holland, throbbing, pulsing, grinding, sawing and soaring – a musical universe in itself. H-D-H were about to leave Motown: they left behind pure magnificence.
- Ian Mccann
- 16
- 3 min
Il y a 2 jours · June 25, 2024. Major record companies, including the Sony, Universal and Warner conglomerates, sued two digital music generation companies on Monday, accusing them of using copyrighted sounds and ...
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and ...
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