Yahoo France Recherche Web

Résultats de recherche

  1. 12 juil. 1987 · Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays.

    • (1,8K)
    • $14.99
    • Sanford Meisner, Dennis Longwell
    • Sanford Meisner, Dennis Longwell
  2. 24 oct. 2018 · When an English teacher takes on the responsibility for starting a drama club, the question is where to start. The Meisner technique is one answer. This book offers more than a theory of acting. It brings the reader into a Sandy Meisner acting class.

  3. 12 juil. 1987 · This book, written in collaboration with Dennis Longwell, follows an acting class of eight men and eight women for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays.

    • (2,9K)
    • Paperback
  4. Bienvenue sur le site de Method Acting Center. Formations d’Acteurs, de Scénaristes et de Réalisateurs depuis 2002. Élaborée par Constantin Stanislavski puis popularisée par le légendaire Actors Studio de New-York, « la méthode » a littéralement révolutionné le monde de l’Acting… En savoir +

    • On Acting1
    • On Acting2
    • On Acting3
    • On Acting4
    • On Acting5
  5. Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays.

    • (1)
  6. 31 déc. 2017 · Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays.

  7. acting, I was, without knowing it, absorbing the foundation of what would become a very specific approach to directing. The fact is that every area in which I function as a director—writing, production design, costume design, casting, staging, cinematography, even editing—is dominated by, and concerned with, the principles and ideas I’ve ...