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  1. 9 juin 2024 · CHARLIE PARKER (August 29, 1920 – March 12, 1955) American jazz saxophonist and composer. Main accomplishments: Revolutionized the world of jazz music with his innovative style, which became known as bebop.

  2. 30 mai 2024 · Charlie Parker & Sonny Rollins - The Serpent’s Tooth - January, 1953. The Serpent’s Tooth is from Miles’s star-crossed January, 1953 recording date, with both Bird and Sonny Rollins on tenor ...

    • 7 min
    • 16,2K
    • Андрей Миронович
  3. Il y a 2 jours · Though his life and career were all too brief, Charlie “Bird” Parker (1920–1955) endures as one of music’s most revolutionary figures. A founding father of bebop (or “bop,” for short) and among the greatest saxophonists of all time, Parker was an innovative composer and improviser whose highly influential work paved the way for hard bop, free jazz, fusion, and beyond.

  4. 18 juin 2024 · “Ornithology” was composed by saxophonist Charlie Parker and trumpeter Benny Harris. It was first recorded during a famous Dial session on March 28, 1946. This was to be the first of more than 40 Parker recordings of “Ornithology” and was inducted into the Grammy Hall of Fame in 1989.

  5. 18 juin 2024 · At around the first minute of Take 4 from the Savoy session – arguably the most famous recording of the composition – Parker plays a notable riff that is among the most famous and quoted in jazz history. A year later, he would expand on said riff to create “Cool Blues,” which emerged from a session for Dial. Paired up with ...

  6. 18 juin 2024 · Six Artists Influenced By Charlie Parker. From 1941, when Charlie Parker’s first commercially recorded solos (“Hootie Blues” and “Jumpin’ the Blues,” with the Jay McShann Orchestra) dropped on Decca Records, his aesthetic decisions and virtuoso flair moved the collective sensibility of jazz in a new direction.

  7. Il y a 1 jour · First, some background: Charlie Parker and Miles recorded “Donna Lee”on May 8, 1947, and the 78 rpm disk was advertised for sale by August. Claude Thornhill’s band recorded the Gil Evans arrangement of it on November 6, 1947. We know now that it was written by Miles, and that Savoy credited Parker because he was under contract to them.

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