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  1. Il y a 6 jours · Jacques Derrida (1974) argued meaning in language is a process of difference and deferral. Difference refers to how signs acquire meaning through their relationships to other signs. For example, we are taught the combination of letters or sounds that form the verb “stop” signifies a particular action. The verb “go” signifies a different ...

  2. 4 oct. 2024 · Jacques Derrida - Deconstruction, Poststructuralism, Philosophy: Although critical examination of fundamental concepts is a standard part of philosophical practice in the Western tradition, it has seldom been carried out as rigorously as in the work of Derrida. His writing is known for its extreme subtlety, its meticulous attention ...

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  3. 9 oct. 2024 · Portrait de Jacques Derrida, France, novembre 1994. Photo : Denis Dailleux/Agence VU/Redux

  4. Il y a 2 jours · This paper proposes a novel framework for understanding large language models (LLMs) by reconceptualizing them as semiotic machines rather than as imitations of human cognition. Drawing from structuralist and post-structuralist theories of language-specifically the works of Ferdinand de Saussure and Jacques Derrida-I argue that LLMs should be understood as models of language itself, aligning ...

  5. Il y a 4 jours · This failure of philosophy does not stem from the thinker alone but is the fault of a reality that does not permit itself to be grasped as rational. “Only in traces and ruins,” writes Adorno, introducing a phrase from Benjamin, wholly unknown to philosophical discourse of the time, can a “correct and just reality” be encountered.

  6. Il y a 3 jours · The essay begins by considering Derrida’s seemingly surprising choice of themes, that is, darkness, blindness and invisibility, for an exhibit of drawings and paintings that belong to the so-called ‘visual arts’.

  7. ireph.parisnanterre.fr › les-membres › doctorants-etNAKAYAMA Eriko - IREPH

    9 oct. 2024 · Doctorante en philosophie. Thèse dirigée par Thierry Hoquet. Titre: Aveux et confessions : le récit de soi chez Jacques Derrida. Dans la tradition métaphysique, le geste d’écrire a été considéré comme secondaire, relativement à la parole, en raison de sa distance par rapport à l’idéal de vérité.

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