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24 juin 2024 · Igloo Magazine presents Five Questions for New York-based Black Knoll Editions label operator, musician, and Black Knoll Studio analog/digital mastering Engineer Rafael Anton Irisarri to plunge into his experimental ambient sonic forms, and learn more about the label, mastering studio, and artistic
13 juin 2024 · Originally based in Seattle, Rafael Anton Irisarri is an American artist who composes ambient, drone, and post-minimalist music. His recordings heavily utilize field recordings, bowed guitars, strings, and electronics, creating dense clouds of blurry, hypnotic sound that often have a mournful, elegiac quality.
Interview with Rafael Anton Irisarri in Igloo Magazine. News Article or Media. Available here: https://igloomag.com/profiles/five-questions-with-rafael-anton-irisarri-black-knoll. Excerpts ↓. Music is no longer the product being marketed or sold, instead, it’s the listener’s data.
14 juin 2024 · Orcas is the project of multi-instrumentalists Rafael Anton Irisarri and Benoît Pioulard. How to Color a Thousand Mistakes is the duos first album in 10 years, expanding their sound and vision into a full-spectrum ensemble, alongside the new addition of Simon Scott - the drummer in Slowdive - and longtime friend of the pair, who co ...
13 juin 2024 · Following a ten-year hiatus, multi-instrumentalists Rafael Anton Irisarri and Benoît Pioulard return with »How to Color a Thousand Mistakes«, their third LP together as Orcas. Building on the electronic minimalism of »Orcas« (2012) and the Twin Peaks-inspired haze ...
19 juin 2024 · Solstice Prelude, Fading Spring by Rafael Anton Irisarri. I've been listening to the music of Rafael Anton Irisarri for a long time. The oldest RAI album that I have is 2007's "Daydreaming." I'm listening to it as I type this and, wow, I'd forgotten how excellent it is.
Il y a 5 jours · Abul Mogard and Rafael Anton Irisarri – Impossibly Distant, Impossibly Close The first collaboration between Italian drone specialist Abul Mogard and Rafael Anton Irisarri – from The Sight Below – is another A/B side record, with the first half rich with gargantuan waves of granular synthesis shrapnel, and the second a meditative sub-frequency rumination of intangible space ambient.
