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21 juin 2024 · Réputée pour sa voix imposante, soul et « graveleuse », le blues de Ma Rainey a été façonné par le après la guerre civile les conditions de la Jim Crow Le Sud et l’héritage brut de l’esclavage. Sa musique offre un portrait sans faille de la vie noire dans toute sa complexité.
Il y a 3 jours · Il s'agit d'une adaptation cinématographique de la pièce de théâtre Ma Rainey's Black Bottom (1982) d'August Wilson mettant en scène la chanteuse de blues Ma Rainey. Pour ce rôle, elle est nommée à l' Oscar de la meilleure actrice .
- Américaine
- ActriceProductrice
24 juin 2024 · Ma Rainey (born April 26, 1886, Columbus, Georgia, U.S.—died December 22, 1939, Columbus) was an American singer who was known as the “mother of the blues” and who was recognized as the first great professional blues vocalist.
- The Editors of Encyclopaedia Britannica
5 juil. 2024 · R&B. Ma Rainey, known as the “Mother of the Blues,” released the song “Moonshine Blues (Paramount 12603)” in 1928. This bluesy tune is accompanied by Ma Rainey’s Georgia Jazz Band and showcases Rainey’s powerful and emotive vocals.
- Tasha Lowery
- R&B
- Ma Rainey
- 1928
21 juin 2024 · Bo-Weavil Blues (Take 2) is a song originally written and performed by the legendary blues singer, Ma Rainey. Released in 1924 as part of her album “Ma Rainey: Complete Recorded Works In Chronological Order Volume 1,” this track showcases Rainey’s remarkable talent and deep understanding of the blues genre.
- Ma Rainey
- Ma Rainey
- 1924
9 juil. 2024 · Written in 1982 and set in 1927 Chicago, “Ma Rainey” centers on the title blues singer’s “accompaniment band” who’ve been touring with Ma around the south. Ma’s bawdy, danceable blues — the “black bottom” was the 1920s equivalent of a TikTok trend — aren’t popular in Harlem yet.
Il y a 3 jours · The Ma Rainey House, showcases local blues history, fascinating exhibits, and authentic artifacts, providing a deeply immersive experience. Gertrude “Ma” Rainey (Gertrude Pridget) played a pivotal role in shaping the blues idiom, bridging the gap between Bessie Smith’s classic-style blues and the “country blues” tradition of the Lower Chattahoochee River Valley.
