1977
Résultats de recherche
Il y a 3 jours · Aux États-Unis, en revanche, la chanson Fame, coécrite avec Lennon et le guitariste Carlos Alomar, devient son premier single n o 1. Le succès de cette reconversion est palpable lorsqu'il devient l'un des tout premiers musiciens blancs invités à participer à l'émission de télévision Soul Train.
- Auteur-compositeur-interprète
- David Robert Jones
- 8 janvier 1947Brixton ( Londres, Royaume-Uni)
Il y a 4 jours · The guitarist Carlos Alomar described the location as "boring", preferring the "excitement" of Hansa. Mountain also lacked the Hansa's acoustics. Lodger features contributions from the future King Crimson guitarist Adrian Belew (pictured in 2017).
25 mai 2024 · Having written a series of chords on a blackboard, Eno had Bowie’s rhythm section – guitarist Carlos Alomar, bassist George Murray and drummer Dennis Davis – follow his lead as he pointed to different chords at random. Davis emerges the MVP of the experiment, his kit-work truly helping the song fly.
Il y a 4 jours · The sessions established the lineup of guitarist Carlos Alomar, bassist George Murray and drummer Dennis Davis that Bowie would use for the rest of the decade, and also featured contributions by guitarist Earl Slick and pianist Roy Bittan.
Il y a 4 jours · In early 1974, Bowie met funk guitarist Carlos Alomar, an Apollo Theater session musician who had played with James Brown, Chuck Berry and Wilson Pickett. One of Bowie's favourite records was Brown's Live at the Apollo (1963), so meeting a musician who played at the Apollo meant a lot to him. Alomar had never heard of Bowie when they ...
24 mai 2024 · There was a disconnect too between the sophisticated musicianship of the new stage band – featuring guitarists Carlos Alomar and Earl Slick – and the rough edges of the original Diamond Dogs recording, played by Bowie himself. “That album had a quality of obsession with what I wanted to get over,” Bowie later reflected ...
4 mai 2024 · “Sister Midnight” is a haunting and enigmatic song by Iggy Pop, featured in his 1977 album, The Idiot. Written by Carlos Alomar, Iggy Pop, and David Bowie, this track presents a unique blend of rock, krautrock, and industrial elements, which perfectly encapsulate the experimental and boundary-pushing nature of Iggy Pop’s music.
