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  1. 22 mai 2024 · Et déjà tout est là. En effet, par ses obsessions, Maya Deren a réussi à construire un corpus cinématographique singulier et unique, où la dynamique du mouvement l’emporte sur toute autre considération. Elle s’affranchit des narrations classiques et des transitions explicatives, préférant un montage où chaque réalité ...

    • Citizen Kane
  2. 26 mai 2024 · Distinguished by its choreography and surreal sequences, the film, which Deren, along with her other work, later described as ‘documentaries of the interior’, evokes a feeling of transcendence and enigma. The film beckons the viewers to ponder the fluid boundaries between reality and the subconscious.

  3. 15 mai 2024 · The footage in the film was taken by film maker Maya Deren who had traveled to Haiti in 1954 and is one of the few, to this day, who has been given permission to film Vodoun rituals. Posthumously her 18,000 feet of footage was compiled and released in 1977 as the documentary Divine Horseman: the Living Gods of Haiti .

  4. Il y a 1 jour · This film (of the few I have yet seen) is one of his most fascinating, not least for its homoerotic undertones and arresting deconstructions of identity and linearity. Gorgeous camera work – the dutch angles are in abundance – and Maya Deren-esque touches of the absurd and existential, it’s a real post-war avant-garde gem. (It’s also ...

  5. 19 mai 2024 · 5 - 19 May 2024: Close-Up on Maya Deren. “I make my pictures for what Hollywood spends on lipstick”. “Born in Kyiv 100 years ago, Deren is one of the most influential figures in American avant-garde cinema.

  6. 18 mai 2024 · 5 - 18 May 2024: Close-Up on Maya Deren Programme 1. Programme 1. Meshes of the Afternoon Maya Deren, Alexander Hammid, 1943, 14 min. “It was amid the turmoil of the Second World War that Deren collaborated with Czech cinematographer Alexander Hammid to make her surreal 14-minute debut, in which Deren herself appears as the ...

  7. 21 mai 2024 · 21 mai 2020. Julie Beaulieu parle sur France Culture dans une série d'entretiens consacrés à cinq femmes cinéastes qui ont marqué le grand écran. Voici la description du portrait de Maya Deren dans lequel la professeure intervient :