1962
Résultats de recherche
Il y a 2 jours · Son rapport au réel, aux rêves, à la dépression et à la folie, ainsi que ses pensées sur les femmes et ses acteurs fétiches, notamment Marcello Mastroianni et Giulietta Masina, sont ...
Il y a 1 jour · Two years after Fellini’s last film, and after two movies in which Marcello Mastroianni played variants (albeit more overtly attractive ones) of the director himself, Fellini cast his wife Giulietta Massina, for the first time in eight years (he’d last directed her in Nights of Cabiria) – and, in a twist on what he’d done with Mastroianni, Masina plays a character not dissimilar from ...
2 août 2024 · La città che ha dato i natali al cineasta ha in programma una serie di incontri per ricordare l’evento, e anche le grandi doti di Giulietta Masina, di cui quest’anno ricorrono i 30 anni dalla scomparsa. Lei e il marito sono entrambi sepolti al cimitero monumentale di Rimini.
28 juil. 2024 · The White Sheik (Italian: Lo sceicco bianco) is a 1952 Italian romantic comedy film directed by Federico Fellini and starring Alberto Sordi, Leopoldo Trieste, Brunella Bovo and Giulietta Masina.
Il y a 5 jours · “I peered in and saw just a little bit of him with Giulietta Masina and Marcello Mastroianni, for heaven sakes, shooting this thing,” he marvelled. “I saw him go over and it looked like he was saying, ‘Don’t say this, don’t say that’, and then he put on music – loud music – and they do their thing and I guess, loop it later, just like that. Pretty good.”
27 juil. 2024 · La Strada is a 1954 Italian film directed by Federico Fellini. La Strada, which translates to “The Road” in English, is one of Fellini’s most acclaimed works. The movie stars Anthony Quinn, Giulietta Masina, and Richard Basehart. Quinn delivers a powerful performance as Zampanò, while Masina captivates as Gelsomina.
Il y a 2 jours · 100 Movies Every Catholic Should See #72: Nights of Cabiria (1957) Directed by Federico Fellini. Starring Giulietta Masina. In the years following the second world war, cinema in Europe turned away from flashy and fantastical studio productions to focus on the gritty and impoverished conditions of the lower class, struggling to make ends meet ...
