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  1. 1 sept. 2024 · He made some fine records overseas including the excellent Deep South Piano (reissued as Blues Masters Vol. 7) cut for the Storyville label in 1972 and was recorded extensively by piano expert Francis Wilford Smith (issued on Magpie as These Are What I Like: Unissued Recordings Vol. 1 and Those I Liked I Learned: Unissued Recordings ...

    • Blues Masters, Vol. 10 Lonnie Johnson1
    • Blues Masters, Vol. 10 Lonnie Johnson2
    • Blues Masters, Vol. 10 Lonnie Johnson3
    • Blues Masters, Vol. 10 Lonnie Johnson4
    • Blues Masters, Vol. 10 Lonnie Johnson5
  2. 1 sept. 2024 · We hear from one of my favorites, Lonnie Johnson on the amazing instrumental, “Away Down in the Alley Blues” and back Texas Alexander on “Yellow Girl Blues.” Alexander was popular and prolific, cutting sixty-four issued sides between 1927 and 1934, first for Okeh and then for Vocalion. The record companies must have had some ...

  3. Il y a 4 jours · "From Four Until Late" shows Johnson's mastery of a blues style not usually associated with the Delta. He croons the lyrics in a manner reminiscent of Lonnie Johnson, and his guitar style is more that of a ragtime-influenced player like Blind Blake. [89]

  4. Il y a 4 jours · 20 heures 57 minutes 20 h 57 Titre : TELL MAMA Interprète (s) : ETTA JAMES, GENE "BOWLEGS" MILLER, CHARLES CHALMERS, AARON VARNELL, FLOYD NEWMAN, JIMMY RAY JOHNSON, ALBERT JR LOWE, DAVID HOOD ...

  5. Il y a 3 heures · Johnson signed with the Panthers ' 53-man roster Tuesday, Darin Gantt of the team's official site reports. Johnson was on Carolina's practice squad to start the season but was elevated from it for ...

  6. Il y a 6 jours · Here are 10 unforgettable blues rock guitarists that helped define the 1960s. Jimi Hendrix Songs like “Voodoo Child (Slight Return)” and “Red House” showcased his ability to blend the blues with psychedelia, creating a sound that was both timeless and ahead of its time.

  7. 21 août 2024 · Eric Johnsons guitar style combines many elements, but his soloing on G3’s live version of Red House would satisfy the most hardened of blues purists. This example combines open-voiced double-stops with a honky tone.