Résultats de recherche
While Flanagan sends Craig into hiding, Deresco's major domo, Blanco, picks up spy Alexis Vanderlyn, who was also on the Clipper. Vanderlyn believes that he is in Lisbon to help track down Craig and turn him over to the Axis, but actually, Deresco has orders to kill the no-longer useful spy. Vanderlyn pretends to have needed information, and ...
Martin Scorsese Presents REPUBLIC REDISCOVERED—over 20 rarely seen films from the storied Republic Pictures library, restored and remastered by Paramount and personally curated by Martin Scorsese. In Storm Over Lisbon the owner of a Portugal nightclub works as a freelance spy. He tries to seduce information out of a US agent with the help of ...
Storm Over Lisbon (1944) George Sherman Tempête sur Lisbonne. Pays de production: Etats-Unis: Sortie en France: 25 février 1948: Procédé image: 35 mm - NB: Durée: 86 mn >> Rechercher "Storm Over Lisbon" dans le catalogue Ciné-Ressources . Génériqu ...
Storm Over Lisbon (prt Tempestade em Lisboa [1]) é um filme estado-unidense do género suspense, realizado por George Sherman. Estreou-se nos Estados Unidos a 16 de outubro de 1944, e em Portugal a 3 de fevereiro de 1945.
Storm Over Lisbon Cast & Crew. Sort by: One of the largest lists of directors and actors by MUBI. The actors on this list are ranked according to MUBI users rating. Try 7 Days Free ...
25 sept. 2019 · Deresco, owner of a night club in neutral Portugal, works as a free-lance spy for everybody who can afford his price. He tries to get information from US agent John Craig with help from immigrant dancer Maritza, but she falls in love with him. Craig becomes a special guest at Deresco’s casino, but there you can’t be sure of the occupation of everybody, as well as in their political intentions.
Storm Over Lisbon. Edit. Summaries. Deresco, owner of a night club in neutral Portugal, works as a free-lance spy for everybody who can afford his price. He tries to get information from US agent John Craig with help from immigrant dancer Maritza, but she ...
