Résultats de recherche
Jennifer is the third album by singer Jennifer Warnes, released on the Reprise Records label in 1972. It was produced by former Velvet Underground member John Cale. [2] It sold poorly and was deleted from the Warners catalog in 1973 or 1974 and remained unavailable until 2013 when Japanese Reprise reissued it on CD (WPCR-14865).
Jennifer Jean Warnes (nascuda el 3 de març del 1947 a Seattle) és una cantautora dels Estats Units. És coneguda per haver interpretat duos amb Joe Cocker i Bill Medley com la banda sonora original de la pel·lícula Dirty Dancing.
Jennifer Jean Warnes (born March 3, 1947) is an American singer and songwriter. She has performed as a vocalist on a number of film soundtracks. She has won two Grammy Awards, in 1983 for the Joe Cocker duet Up Where We Belong and in 1987 for the Bill Medley duet (I've Had) The Time of My Life.
Jennifer Warnes – producer; Roscoe Beck – producer; Elliot Scheiner – producer, engineer, mixing ; Rob Meurer – original track producer (7, 10) Jorge Calderón – original track producer (8, 9) Walter New – associate producer, ...
Jennifer Warnes is the fourth album by American singer/songwriter Jennifer Warnes, released in late 1976 as her inaugural Arista Records album. It was her first album where she was credited by her full name, after being credited as simply "Jennifer" on her first three albums.
In 1987, Medley's duet with Jennifer Warnes, "(I've Had) The Time of My Life", was included on the Dirty Dancing soundtrack, and the single reached number one on the Billboard Hot 100. The song won Medley and Warnes a 1988 Grammy Award for Best Pop Performance by a Duo or Group with Vocal and an Academy Award for Best Original Song for the ...
Originally written and recorded by Peter McCann for his 1977 self-titled album, "Right Time of the Night", which would serve as the B-side for McCann's own 1977 top ten hit "Do You Wanna Make Love", featured a distinct second verse that was eventually reworked by Jennifer Warnes; she herself wrote lyrics for a less overtly masculine second verse which McCann rejected, eventually himself ...
