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  1. Krysty Wilson-Cairns est une scénariste écossaise née le 26 mai 1987 à Glasgow. En 2020, elle est nommée à l' Oscar du meilleur scénario original pour le film 1917 1 . Filmographie. Cinéma. 2019 : 1917 coécrit et réalisé par Sam Mendes. 2020 : Last Night in Soho coécrit et réalisé par Edgar Wright. 2022 : The Good Nurse de Tobias Lindholm.

  2. Krysty Norma Lesley Wilson-Cairns [1] (born 26 May 1987) is a Scottish screenwriter. Born and raised in Glasgow, she studied at the Royal Conservatoire of Scotland and the National Film and Television School. During her teenage years, she was a runner on television series including the detective show Taggart.

    • Scottish
    • 2012–present
    • Screenwriter
  3. Writer: 1917. Academy Award-nominated and BAFTA Award-winning screenwriter Krysty Wilson-Cairns was born in Glasgow, she attended the Royal Scottish Conservatoire, where she earned her undergraduate degree in Filmmaking, and the National Film and Television School, where she earned her MFA in Screenwriting.

    • January 1, 1
    • 1.65 m
    • Glasgow, Scotland, UK
    • Plot
    • Production
    • Release
    • Reception
    • Historical Accuracy
    • External Links

    On 6 April 1917, aerial reconnaissance has observed that the Imperial German Army, which has pulled back from a sector of the Western Front in northern France, is not in retreat but has made a strategic withdrawal to the new Hindenburg Line, where they are waiting to overwhelm the British with artillery. In the British trenches, with field telephon...

    Pre-production

    Amblin Partners and New Republic Pictures were announced to have acquired the project on 18 June 2018, with Sam Mendes directing and co-writing the screenplay alongside Krysty Wilson-Cairns. Tom Holland was reported to be pushing for a lead role in the film in September 2018 but ultimately was not involved as he was contractually obligated to do reshoots for Chaos Walking in April 2019. In October 2018, Roger Deakins was set to reunite with Mendes as cinematographer. George MacKay and Dean-Ch...

    Writing

    In August 2019, Mendes stated that the film shows "the story of a messenger who has a message to carry." In December 2019, Mendes stated that the writing involved some risk-taking: "I took a calculated gamble, and I'm pleased I did because of the energy you get just from driving forward (in the narrative), in a war that was fundamentally about paralysis and stasis." The ideas for a script, which Mendes wrote with Krysty Wilson-Cairns, came from the story that Mendes's grandfather, Alfred Mend...

    Filming

    Roger Deakins was the cinematographer for the film, reuniting with Mendes for their fourth collaboration, having first worked together on Jarhead in 2005. Filming was accomplished with long takes and elaborately choreographed moving camera shots to give the effect of two continuous takes. Although many media accounts have referred to the story as being told in only one shot, the screen does cut to black one hour and six minutes into the film, when Schofield is knocked unconscious, and fades i...

    The film premiered on 4 December 2019 at the 2019 Royal Film Performance in London, an event held in aid of the Film & TV Charity. It was released in limited theatres in the United States on 25 December 2019, before going to wide release on 10 January 2020, shortly before the widespread lockdown of theatres internationally in response to the height...

    Box office

    1917 grossed $159.2 million in the United States and Canada, and $225.4 million in other countries, for a worldwide total of $384.6 million, against a production budget of $90–100 million. Deadline Hollywood calculated the net profit of the film to be $77million. In the US, the film made $251,000 on its first day of limited release. It went on to have a limited opening weekend of $570,000, and a five-day gross of $1 million, for an average of $91,636 per-venue. The film would go on to make a...

    Critical response

    On review aggregator Rotten Tomatoes, the film holds an approval rating of 89% based on 460 reviews, with an average rating of 8.4/10. The website's critical consensus reads, "Hard-hitting, immersive, and an impressive technical achievement, 1917 captures the trench warfare of World War I with raw, startling immediacy." Metacritic assigned the film a weighted average score of 78 out of 100 based on 57 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the...

    Accolades

    1917 received ten nominations at the 92nd Academy Awards, winning for Best Cinematography, Best Sound Mixing, and Best Visual Effects. It received three nominations at the 77th Golden Globe Awards and won two awards: for Best Motion Picture – Drama and Best Director. It also received eight nominations at the 25th Critics' Choice Awards, winning three awards, including Best Director, and nine nominations at the 73rd British Academy Film Awards, winning the most awards – seven, including Best F...

    The film was inspired by Operation Alberich, a German withdrawal to new positions on the shorter and more easily defended Hindenburg Line that took place between 9 February and 20 March 1917.However, the main and supporting characters all appear to be fictional. Contrary to the film's depiction, the number of Black soldiers serving directly in the ...

    1917 at IMDb
    1917 at AllMovie
    1917 at Rotten Tomatoes
    • $90–100 million
  4. 1917 (film) Logo du film. Pour plus de détails, voir Fiche technique et Distribution. modifier. 1917 est un film de guerre britannique réalisé et produit par Sam Mendes, qui coécrit le film avec Krysty Wilson-Cairns, sorti en 2019 .

  5. Academy Award-nominated and BAFTA Award-winning screenwriter Krysty Wilson-Cairns was born in Glasgow, she attended the Royal Scottish Conservatoire, where she earned her undergraduate degree in Filmmaking, and the National Film and Television School, where she earned her MFA in Screenwriting.

  6. Co-écrit par Wright et Krysty Wilson-Cairns, le film suit Eloise Turner (Thomasin McKenzie), une étudiante en mode, qui durant la nuit est mystérieusement transportée dans les années 1960 où elle se dédouble en Sandie (Anya Taylor-Joy), une chanteuse novice, dont elle découvrira les sombres secrets.