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10 mars 2020 · The costumes, which are rich in detail and vivid colors, were designed by Eiko Ishioka, who won an Academy Award for her costuming work on Bram Stoker's Dracula.
Il y a 5 jours · Los diseños de Eiko Ishioka son tan absolutamente espectaculares que la actriz o el actor que los lleva corre el riesgo de desaparecer. Sin embargo, en el fabuloso universo barroco construido por Francis Ford Coppola para recrear la vida del conde Vlad Draculea (Drácula) funcionaron como la perfecta guinda del pastel.
Il y a 6 jours · Eiko Ishioka (石岡 瑛子, Ishioka Eiko, July 12, 1938 – January 21, 2012) was a Japanese art director, costume designer, and graphic designer known for her work in stage, screen, advertising, and print media.Noted for her advertising campaigns for the Japanese boutique chain Parco, her collaboration with sportswear company ...
Il y a 6 jours · 779 likes, 11 comments - productiondesignerscollective on July 3, 2024: "Today’s Throwback is “Mishima: A Story in Four Chapters,” a highly theatrical historical drama designed by Eiko Ishioka. This was Ishioka’s first film as a production designer - she was chosen by director Paul Schrader based on her work a graphic designer. The film intertwines parts of Japanese author Yukio ...
Il y a 6 jours · Eiko Ishioka (石岡 瑛子, Ishioka Eiko, July 12, 1938 – January 21, 2012) was a Japanese art director, costume designer, and graphic designer known for her work in stage, screen, advertising, and print media.Noted for her advertising campaigns for the Japanese boutique chain Parco, her collaboration with sportswear company ...
Il y a 6 jours · Evil Does Not Exist isn’t a plot-heavy film; as the glamping resort plans how to set up shop in the village, Ishibashi’s music—the secret heart of the story—navigates the uneasy balance ...
Il y a 6 jours · Ishibashi’s score for Ryusuke Hamaguchi’s Evil Does Not Exist – her second time working with the director, after 2021’s Drive My Car – is both tense and remarkably open, always maintaining a sense of mystery in its melancholy.
