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6 juin 2024 · Iris flowers are a staple of gardening—and several species are native to North America! Explore native iris species that are perfect for gardening.
18 mars 2021 · Son œuvre, née de l’expérience et de la voix d’une femme, traverse le féminin tout en lui résistant car la biographie, quand elle a eure dans ses poèmes, ne subsiste que comme trace : l’événement, déjà passé au tamis du langage, laisse place à sa profondeur, à son interprétation, à l’interrogation.
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1 mars 2021 · Le jardin où l’on croise furtivement John, un mari qui cultive des plants de tomates, ou encore un fils, Noah, prend ainsi dans L’iris sauvage une dimension biblique et mythologique pour finalement devenir l’espace imaginaire où se déploie une vaste polyphonie.
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‘The Wild Iris’ by Louise Glück is a complex and deeply metaphorical poem that describes death from the perspectiveof a flower. Throughout the short lines of ‘The WildIris,’ the speaker describes what it means to live, die, and be reborn again. They’ve gone through the cycle an endless number of times as a flower. It is a struggle that has a door a...
‘The WildIris’ by Louise Glück is a twenty-three-line poem that is separated into uneven stanzas. These range in length from one line up to five. Glück did not choose to make use of a specific metrical pattern or rhyme scheme, a style of writing known as free verse. But, that doesn’t mean that the poem is totally devoid of rhyme, rhythm, and a vari...
Glück makes use of several poetic techniques in The Wild Iris. These include but are not limited to metaphor, personification, and enjambment. The latter, enjambment, occurs when a line is cut off before its natural stopping point. Enjambment forces a reader down to the next line, and the next, quickly. One has to move forward in order to comfortab...
Lines 1- 7
In the first lines of ‘The Wild Iris,’ the speaker begins with a simple statement. It is spread over two lines, making use of a technique known as enjambment. The line alludes to both darkness and light. The speaker, who may or may not be a flower, suffered but at the end of it “there was a door”. The door is a symbolof hope, happiness, and peace. The use of the word “door” confuses the speaker’s identity further. It is unclear who she is and what she has experienced. The speaker asks the rea...
Lines 8-15
In the next stanza of ‘The Wild Iris, ‘the speaker goes on to say that it is “terrible to survive / as consciousness” while buried in the earth. This is a dark and fearful image that brings up images of people being buried alive. The flower that may be at the center of this poem would be buried in the dark earth in order to grow, something that is not fearful but life-producing. It is interesting to consider why the speaker describes this process as “terrible”. Either way, these lines are a g...
Lines 16-23
The sixth stanza picks up with the speaker reminding the reader that they have been telling a story of death. “You,” the reader won’t remember what it was like to move from one world to the next, from the darkness before life into the light. But, this speaker does. Like a flower, this speaker knows rebirth and life and death very well as they go through it every spring. The next lines emphasize this point. The “oblivion” that the speaker refers to is a temporary one. In the final lines, the s...
A poem that explores death, rebirth, and the human soul from the perspective of a flower. The speaker, who may or may not be a flower, describes the cycle of life and death, the struggle to survive, and the door to the other world.
- Female
- October 9, 1995
- Poetry Analyst And Editor
28 sept. 2021 · La poète américaine Louise Glück, née sur la côte-Est d’une famille juive hongroise, publie depuis les années soixante. Elle a reçu le Prix Nobel de Littérature en 2020. Son recueil le plus célèbre est L’Iris sauvage, l’une de ses rares œuvres à avoir été traduite en français.
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14 nov. 2014 · Visionary, shrewd, intuitive--and at once cyclical and apocalyptic--The Wild Iris is not a repudiation but a confirmation, an audacious feat of psychic ventriloquism, a fiercely original record of the spirit's obsession with, and awe of, earth. Pulitzer Prize for Poetry, 1993. Access-restricted-item.
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