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  1. Il y a 6 heures · 1997–present. Partner. Ferdinando Cito Filomarino (2009–2020) Luca Guadagnino ( Italian: [ˈluːka ɡwadaɲˈɲiːno]; born 10 August 1971) is an Italian film director and producer. [1] His films are characterized by their emotional complexity, eroticism, and sumptuous visuals. He is known for his frequent collaborations with actors Tilda ...

  2. Help finding old animated short film. I recently remembered a really good 2D hand-animated short film (I think about 8-12 minutes) about a werewolf stalking that took place somewhere rural. The artstyle was a bit older, and had the look of animation cels - kind of like Scooby-Doo but with a bit less quality (things going off-model and such.)

  3. Il y a 1 jour · Eté 85 : le film qui a révélé les acteurs Benjamin Voisin et Félix Lefebvre. Réalisé par : François Ozon. Avec : Valéria Bruni-Tedeschi , Félix Lefebvre, Benjamin Voisin, Philippine ...

  4. Il y a 6 heures · The Small Back Room contrasts starkly with the lush Technicolor melodramas for which the Archers were best known. Those films, especially Black Narcissus and The Red Shoes, lavished lurid color on their tortured protagonists, doubling down on their psychological torment with a hyperbolic mise-en-scene and high-stakes cliffhangers (in Black Narcissus, more than a little literally so!).

  5. Il y a 6 heures · So naturally, the film’s protagonists are scientists, Dr. David Reed (Richard Carlson), Dr. Mark Williams (Richard Denning), and Kay Lawrence (Julie Adams), who fulfills the dual role common to 50s science fiction of a knowledgeable scientist that is also able to play the damsel in distress. Fortunately, Adams manages to be more of the former than the latter.

  6. Il y a 6 heures · Quinn is fascinated in the nuance of both Samira and Eric, and how their personalities don’t really fit the traditional archetype of film protagonists. “She[Samira] lacks compassion and ...

  7. Il y a 6 heures · Quinn is fascinated in the nuance of both Samira and Eric, and how their personalities don’t really fit the traditional archetype of film protagonists. “She[Samira] lacks compassion and wonders what’s worth saving in this world anyway. Her apathy is intriguing to Eric. She doesn’t seem to be as rattled by all of this. But that’s where Michael’s writing is so subtle. He’s so good ...